Cold War Signals & Soundscapes with RedBlueBlackSilver
In this episode of Dead Hand Radio, I’m joined by RedBlueBlackSilver — musician, sound engineer, and composer for Jeremy Corbell’s films Hunt for the Skinwalker and Bob Lazar: Area 51 & Flying Saucers. We dive deep into Red’s Cold War-era upbringing, exploring how the geopolitical tension of the 70s and 80s shaped his worldview and inspired his unique musical aesthetic.
Red reflects on growing up during the height of Cold War paranoia, the cultural impact of events like the Iran Hostage Crisis, Reagan’s “Evil Empire” stance, and the haunting imagery of nuclear-themed media like The Day After. We also discuss the long-term effects of the Vietnam War on veterans’ families—including Red’s own experiences—and how Cold War conflicts like the Iran-Contra Affair still echo in today’s geopolitical discourse.
Beyond politics and history, Red shares his journey into music and how he became the sonic architect of some of today’s most iconic UFO documentaries. From analog tape to digital composition, he talks about navigating the evolution of sound engineering, the importance of staying grounded, and the eerie experience of scoring paranormal content that even unsettled his pets.
This episode blends Cold War history, music industry insights, and UFO subculture into a powerful conversation about memory, trauma, and creativity.
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